{"id":1171,"date":"1990-01-01T22:33:36","date_gmt":"1990-01-01T21:33:36","guid":{"rendered":"http:\/\/www.mariavedder.de\/?p=1171"},"modified":"2020-01-09T13:19:00","modified_gmt":"2020-01-09T12:19:00","slug":"und-die-galaxien-hoerten","status":"publish","type":"post","link":"https:\/\/www.mariavedder.de\/en\/video\/1990\/und-die-galaxien-hoerten\/","title":{"rendered":"And the galaxies heard \/ Und die Galaxien h\u00f6rten"},"content":{"rendered":"<p class=\"first\">10:53 Min.<br \/>\nTV production for Kanal 4\/RTL und SAT 1<br \/>\nMusic: Maria de Alvear<br \/>\nExcerpts from the radio play &#8220;The 3rd Millennium&#8221;, 1990, Maria de Alvear<br \/>\nCamera: Maria Vedder<br \/>\nEditing: Maria Vedder, Mareile Marx<br \/>\nAssistant director: Gesa Marten<br \/>\nAssistance: Dietlinde Stroh<br \/>\nProduction: Astrid V\u00f6lker, K\u00f6lner Frauenkulturhaus<br \/>\nWith thanks to Urs Bette, Susanne Ofteringer, Kunststation St. Peter Cologne<\/p>\n<p>An experimental portrait of the Spanish composer Maria de Alvear.<br \/>\n&#8220;In her Alvear portrait, Vedder achieved a fascination that grows entirely out of the possibilities of the video medium. The proportion of both artists blurred in a common work. The narrative perspective was broken by rapidly scored sentence fragments Alvear.<br \/>\nArt must be like a potato: solid and edible, it was said in this portrait, but also as a journey that leads all the signs of the unknown and the fear. The transfer of material art experiences into the intangible video medium only makes sense if, beyond mere mapping, a new &#8211; mysterious or explanatory &#8211; quality is achieved.&#8221;<br \/>\nJ\u00fcrgen Kisters, K\u00f6lner Stadtanzeiger, 14.\/15.6.1990<\/p>\n","protected":false},"excerpt":{"rendered":"<p>10:53 Min. TV production for Kanal 4\/RTL und SAT 1 Music: Maria de Alvear Excerpts from the radio play &#8220;The 3rd Millennium&#8221;, 1990, Maria de Alvear Camera: Maria Vedder Editing: Maria Vedder, Mareile Marx Assistant director: Gesa Marten Assistance: Dietlinde Stroh Production: Astrid V\u00f6lker, K\u00f6lner Frauenkulturhaus With thanks to Urs Bette, Susanne Ofteringer, Kunststation St. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[37,39,34,32,30,35,36,38,40,31,33],"_links":{"self":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts\/1171"}],"collection":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/comments?post=1171"}],"version-history":[{"count":7,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts\/1171\/revisions"}],"predecessor-version":[{"id":1956,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts\/1171\/revisions\/1956"}],"wp:attachment":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/media?parent=1171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/categories?post=1171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/tags?post=1171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}