EWVA Tate Modern<\/a><\/p>\nThis book is the main output of the\u00a0Arts and Humanities Research Council funded research project ‘EWVA European Women’s Video Art in the 70s and 80s’ which focused on the under-researched area of women artists’ early video experimentation in the 1970s and 1980s within Europe. The research project consisted of the Principal Investigator,\u00a0Professor Elaine Shemilt\u00a0(DJCAD, University of Dundee), the Co-investigators\u00a0Dr Laura Leuzzi and\u00a0Professor Stephen Partridge.<\/p>\n
Preface and Foreword from\u00a0Laura Mulvey\u00a0(feminist writer\/filmmaker and inventor of the term \u2018the male gaze\u2019) and eminent theorist Professor\u00a0Siegfried Zielinski<\/p>\n
The book retraces some of the stories of early women artists’ video experimentation in Europe,\u00a0and their achievements,\u00a0and will feature chapters on some fundamental case studies of European women artists’ early video artworks to the benefit of academia and the general public.\u00a0The book aims to contribute to reassess women artists\u2019\u00a0involvement in\u00a0early\u00a0video\u00a0art\u00a0in strengthening\u00a0their profiles and identities\u00a0within the art historical canon.<\/p>\n
Authors\u00a0include:\u00a0Jon Blackwood, Maeve Connolly, Cinzia Cremona, Sean Cubitt, Malcolm Dickson, Catherine Elwes, Slavko Kacunko, Marika Kuzmic, Laura Leuzzi, Adam Lockhart, Stephen Partridge, Lorella Scacco, Elaine Shemilt, Emile Shemilt.\u00a0 The volume will include chapters on themes and trends in early women artists’ video in Europe including\u00a0self-portraiture\u00a0(Leuzzi), traces and the apparatus (Partridge),\u00a0closed-circuit\u00a0video (Kacunko), Nature\/Urban (Lockhart),\u00a0romance and eroticism (Cremona) and motherhood (Elwes).\u00a0 Some chapters will focus\u00a0on selected under-researched case studies from specific European regions including the Balkans (Blackwood), Northen Europe (Lorella Scacco), Poland (Kuzmicz) \u00a0and Ireland (Connolly).<\/p>\n
Artists cited:
\nAbramovic\u00a0, Marina;\u00a0Ackerman, Chantal;\u00a0Anderson, Laurie;\u00a0Beban, Breda;\u00a0Birnbaum, Dara;\u00a0Borsari, Anna Valeria;\u00a0Carlisle, Anne;\u00a0Carnevale, Fulvia;\u00a0\u00a0Chicago, Judy;\u00a0Cremona, Cinzia;\u00a0Crilly, Anne;\u00a0Dick, Vivienne;\u00a0Dragan, Nusa;\u00a0\u00a0Elwes,\u00a0Catherine;\u00a0Fabyc, Deej;\u00a0Finn-Kelcey, Rose;\u00a0Fisher, Jean;\u00a0Fowler, Joan;\u00a0Frank Grahamsdaughter, Antonie;\u00a0Freed, Hermine;\u00a0Frenzel, Hanna;\u00a0Goddard, Judith;\u00a0Gonz\u00e1lez, Marisa;\u00a0Gruber, Bettina;\u00a0Gustowska, Izabella;\u00a0Hakola, Marikki;\u00a0\u00a0Harkin, Margo;\u00a0Hegarty, Frances;\u00a0Heske, Marianne;\u00a0Hiller, Susan;\u00a0Hoover, Nan;\u00a0Hooykaas, Madelon;\u00a0Horn, Rebecca;\u00a0Ikam, Catherine;\u00a0Ivekovic, Sanja;\u00a0Fabyc, Deej;\u00a0Fisher, Jean;\u00a0Fowler, Joan;\u00a0Garrard, Rose;\u00a0Keane, Tina;\u00a0Kelly, Mary;\u00a0Krikorian, Tamara;\u00a0\u00a0Kubisch, Christina;\u00a0Kuchta,\u00a0Kl\u00e1ra; Les Reines Prochaines;\u00a0Lindgren Cavallin, Katarina;\u00a0\u00a0Marangoni, Federica; Mathis, Muda;\u00a0Meynell, Katharine;\u00a0Natalia LL;\u00a0O\u2019Kelly, Alanna;\u00a0Olesen, Muriel;\u00a0Ono, Yoko;\u00a0Pane, Gina;\u00a0Parker, Jane;\u00a0Pezold, Friederieke;\u00a0Pipilotti Rist;\u00a0Rhodes, Lis;\u00a0Rosenbach, Ulrike;\u00a0Schouten, Lydia;\u00a0Soltau, Annegret; Stansfield, Elsa;\u00a0Tallentire, Anne;\u00a0Urch, Marion;\u00a0Vasulka, Woody & Steina;\u00a0Vedder, Maria<\/strong>;\u00a0Wennberg, Teresa.<\/p>\n <\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Editor: Laura Leuzzi, Stephen Partridge, Elaine Shemilt, John Libbey Publishing, London Chapter: Desire for More, Page 50 ff 24.9.2019 Presentation of the book in the Tate Modern EWVA Tate Modern This book is the main output of the\u00a0Arts and Humanities Research Council funded research project ‘EWVA European Women’s Video Art in the 70s and 80s’ […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[534,251,535,536,256],"_links":{"self":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts\/1322"}],"collection":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/comments?post=1322"}],"version-history":[{"count":9,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts\/1322\/revisions"}],"predecessor-version":[{"id":1812,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/posts\/1322\/revisions\/1812"}],"wp:attachment":[{"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/media?parent=1322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/categories?post=1322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mariavedder.de\/en\/wp-json\/wp\/v2\/tags?post=1322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}