The Geometrical Locus of All Points

1984

3-Channel Installation with 3 Monitors, 3 players, 3 films, 1 self-built synchronization device
1984
Production format: U-matic-Low-Band
Music: Phew in collaboration with Holger Czukay, Jaki Liebezeit, Conny Plank
Sound Design: Maria Vedder
Performer: Maria Vedder
Production: Tag/Traum Cologne, Germany
8:15 min
Thanks to: Corinne Frottier, Fee Podgurski, Cosima Santoro, Thomas Schmitt Tag/Traum Köln

Three films are played simultaneously on three monitors, which are placed next to each other in a row. The films are constructed in such a way that they change between melting together into one three-monitor-image of three single images. But all the time they are connected by visual and acoustical rhythm.
By watching these changing, sometimes quiet and sometimes pulsating images, the multitudity of human existence comes to mind, the different conditions of life, as being torn apart or finding unity and the constant flow of the time.
The eternal human condition interpreted with the medium video.